A film by Ali Samadi Ahadi
Green is the color of hope. Green is the color of Islam. And Green was the symbol of recognition among the supporters of presidential candidate Mir-Hossein Mousavi, who became the symbolic figure of the Green Revolution in Iran last year. The presidential elections on June 12th, 2009 were supposed to bring about a change, but contrary to all expectations the ultra-conservative populist Mahmoud Ahmadinejad was confirmed in office. As clear as was the result, as loud and justified were the accusations of vote-rigging. The on-going Where is my vote? protest demonstrations were again and again worn down and broken up with brutal attacks by government militia. Images taken from private persons with their cell phones or cameras bear witness to this excessive violence: people were beaten, stabbed, shot dead, arrested, kidnapped, some of them disappearing without trace. What remains is the countless number of dead or injured people and victims of torture, and another deep wound in the hearts of the Iranians.
THE GREEN WAVE is a touching documentary-collage illustrating the dramatic events and telling about the feelings of the people behind this revolution. Facebook reports, Twitter messages and videos posted in the internet were included in the film composition, and hundreds of real blog entries served as reference for the experiences and thoughts of two young students, whose story is running through the film as the main thread. The film describes their initial hope and curiosity, their desperate fear, and the courage to yet continue to fight. These fictional ‘storylines’ have been animated as a motion comic – sort of a moving comic – framing the deeply affecting pictures of the revolution and the interviews with prominent human rights campaigners and exiled Iranians. Ali Samadi Ahadi’s documentary is a highly contemporary chronicle of the Green Revolution and a memorial for all of those who believed in more freedom and lost their lives for it.
Following the award-winning documentary LOST CHILDREN that he did together with Oliver Stoltz (among others the German Film Award) and his affectionate comedy SALAMI ALEIKUM – in his film THE GREEN WAVE Ali Samadi Ahadi reflects the dramatic events before and after the presidential elections 2009 in Iran. Like an eager sigh, like an unstoppable wave, the desire for more freedom began to spread out in Iran last summer. The color Green of the supporters of presidential candidate Mir-Hossein Mousavi became the ever-present symbol of a potential change. But on election day the peaceful revolution failed and the regime under Ahmadinejad took action against the oppositionists, activists and demonstrators with a brutality almost too difficult to imagine.
Framed by animated ‘scenes’ which from the perspective of two young students convey a sense of the events, the film shows the real pictures of the revolution, taken with cameras or cell phones: election meetings, demonstrations, unrest and finally the attacks of the militia with batons and knives. Ahadi’s film produced by Oliver Stoltz and Jan Krueger (both of Dreamer Joint Venture Filmproduktion) is a courageous and encouraging collage composed of blog quotes, real video recordings, illustrative interviews with prominent exiled Iranians and human rights activists, and of a motion comic narrative thread – resulting in a stirring plea, an appeal for awareness and actions, and a shaking up, shocking and touching chronicle of the Green Revolution in Iran.
“For a few weeks we had the feeling of being so close to our goal as never before …” – blog entry.
The Green Revolution in Iran owes its name to the color that became the symbol of recognition among the supporters of presidential candidate Mir-Hossein Mousavi. Being the color of Islam and the color of hope, and being one of the Iranian national colors this Green unfolded an unforeseen signal effect and symbolic power going far beyond the mere commitment to Mousavi. It was not just about election campaigning, not even about dissatisfaction with the regime under Ahmadinejad, but about a new collective spirit and the confidence that there could be another way for Iran, a way that is not characterized by reprisals, oppressions and despotism. This Green was the signal to set out, the symbol of courage and of the chance for a change that had been considered improbable for a long time.
In the streets of Tehran and other big cities, the euphoria was evident: cloths, bracelets, scarfs, nail polish, almost anything was appropriate as a green greeting, as an attribute of peaceful unity and as a gesture of rebellion.
Though news coverage from Iran was almost impossible, the Green Movement could also be sensed abroad, where usually nothing but Ahmadinejad’s provocations were received. Twitter and Facebook messages, YouTube videos and especially numerous blogs reflected an unforeseen euphoric mood. The Iranian blogger scene, which is considered to be one of the largest in the world, came up in the years 1999 to 2003 at the height of the reform movement of those days. Since 2005 this internet forum has had to struggle with more strict controls by the regime und has been curtailed as much as possible. Any blogger making critical comments has to live with the risk of prosecution by the government. In the months before the presidential elections in 2009 this scene started to flourish again and the internet has become an important vital lifeline for the revolution.
Over a thousand different entries in Iranian blogs have been the inspiration for the two ‘fictional’ students – their thoughts being the emotional thread running through the real events: how they perceive the awakening of the Green Movement, how they wake up from a frustrating hopelessness and feel that there is after all a chance to shape the future, how they become desperate with fear beginning to grow again, and how they despite all that do not give up hope.
The stories of the students Azadeh and Kaveh are animated as a motion comic, and rich in contrast going along with the real video images of the revolt and with the interviews with prominent Iranian personalities and human rights activists like Dr. Shirin Ebadi (Noble Peace Prize winner), the Shiite cleric Dr. Mohsen Kadivar (one of the most important critics of the Islamic Republic), the young journalist Mitra Khalatbari, Dr. Payam Akhavan (former UN war crimes prosecutor and a specialist in human rights), or with Mehdi Mohseni (blogger and election assistant to Mir-Hossein Mousavi).
The hopes of the Green Movement for a victory of Mousavi and for reforms were bitterly dashed on the election day and the accusations of vote-rigging still called people into the streets. But ever since the supreme clerical leader of Iran, Khamenei, declared the election result official and uttered an explicit threat to the protesters, the measures against the peaceful resistance became more and more brutal. The images of Neda killed by a shot in the chest during a demonstration shortly afterwards went around the world. Countless videos taken with cameras or cell phones and put on the internet give evidence for the excessive brutality that the government militia used against the demonstrators: militias driving on motorbikes into the crowd of people, beating them with knives and batons, or treading on casualties lying defenselessly on the ground. The regime systematically took action against the ongoing protests, against oppositionists and – like in a frenzy of violence – also against innocent bystanders. Raids at night, arrests on a large scale, never-ending interrogations, raping, abductions, torture – any desire for freedom, any thought of rebellion should be suppressed with inhuman cruelty. Up to this day the pressure of the regime continues, but although the Green Revolution has been subjugated with every available means, the desire of the people for more freedom and dignity is unbroken – just as is their willingness to fight for it.
DIRECTOR ALI SAMADI AHADI ABOUT HIS FILM
It was June 12th, 2009. After having worked very hard for two years all of us were very much looking forward to the premiere of our comedy SALAMI ALEIKUM. From all over Germany our colleagues gathered together for the International Film Festival in Emden where the film would be shown to the public for the first time. On the very same day my wife and I went to Bonn to submit our voting slip for the presidential elections in Iran. I always felt both, as an Iranian and as a German. So did my wife. We met in the no man’s land of cultures and tried to bring together in our lives the positive aspects of both of the two worlds.
Ali Samadi Ahadi
On the very same evening of June 12th it suddenly became clear that one of those worlds was in flames. Despite SALAMI ALEIKUM being a great success in Emden, our team did not at all feel like celebrating. We felt kind of petrified. Paralyzed. And this feeling of helplessness was to remain for weeks. Iran was in flames and we could not do anything. Day by day we were sitting in front of the television for hours, being on the phone with each other, one in Vienna, the others in Berlin and Cologne. Silent. We were not in the mood for talking, but then again did not want to be alone during these hours. We moved together – if only on the phone.
It really took me weeks to get out of this dizziness and to take the decision to do what I can do best: a film about the events in Iran in the summer of 2009.
But very soon it became clear that we had to find a special narrative style for this, because for the events behind us there existed only fragmentary poor-quality pictures taken with cell phones or images from archives covering the situation only in part. A reenactment was out of question for me, especially since it was clear to me that as long as the regime in Iran was in power I could no longer visit Iran.
Iran is a nation of bloggers. Thousands of young people write down their feelings, write down what is on their minds in their blogs. If it was no longer possible for me to shoot my film in Iran, to interview the people there, these blogs were exactly the right source to reach the inner voices of the people.
For a long time Ali Soozandeh and I have been searching for an adequate visual language, when we came across the so-called motion comic to tell about these blogs. I chose 15 blogs from 1,500 websites which we then translated into images. We attracted a range of actors like Pegah Ferydoni, Navid Akhavan, Jasmin Tabatabai and Caroline Schreiber. With them we re-enacted the scenes and took photos.
Alireza Darvish, a wonderful artist, accepted to do the drawings of the characters, and Sina Mostafawy and his team began with the animation of the scenes. Finally, from the archive material, the recently shot interviews, the pictures from cell phones and the animations, Barbara Toennieshen and Andreas Menn composed this collage.
The whole production took 10 months. Within these 10 months the concept, the financing, 42 minutes of animations, the editing as well as the sound design, the music and the compositing came off.
The time pressure was immense and could only be put up with, because everybody plunged into the project and worked day and night.
And at the same time one thing was clear for the team of Iranian descent: because of their participation in this project they will never be able to visit Iran again. But as has Saadi so nicely said,
“Human beings are members of a whole,
In creation of one essence and soul,
If one member is afflicted with pain,
Other members uneasy will remain.
If you’ve no sympathy for human pain,
The name of human you cannot retain!”
Dr. SHIRIN EBADI – since many years the Noble Peace Prize winner and Iranian lawyer is fighting for more human rights and for freedom in Iran. She is the founder of the Centre for the Defense of Human Rights in Iran. On October 10th, 2003 she was awarded the most important peace prize for her ceaseless and pioneering efforts for democracy and human rights – especially women’s, children’s and refugee rights – being the first Iranian, and the first Muslim woman to have received this prize.
PROFESSOR DR. PAYAM AKHAVAN – the former war crimes prosecutor is a professor of international law at McGill University in Montr�al. He teaches and researches in the areas of public international law and international criminal law with a particular interest in human rights and multiculturalism, UN reforms and the prevention of genocide. Akhavan has published numerous articles and books. His article Beyond Impunity about the chances and barriers in international criminal prosecution, published in 2001 in American Journal of International Law, is considered to be one of the most significant published journal essays in contemporary legal studies. Professor Akhavan was the first Legal Advisor to the Prosecutor’s Office of the International Criminal Tribunals for former Yugoslavia and for Rwanda and played a key role in the trial of Slobodan Milo�ević. He also served with the UN in Bosnia-Herzegovina, Cambodia, Guatemala, East Timor and Rwanda, and was appointed as legal advisor in many important cases before the International Court of Justice, the International Criminal Court and the European Court of Human Rights. Professor Akhavan is a prominent human rights advocate for Iranian political prisoners and cofounder of the Iran Human Rights Documentation Centre, an organization documenting human rights violations by Iranian leaders to prepare for legal actions.
Dr. MOHSEN KADIVAR – the Shiite cleric and philosopher, university lecturer, author and political dissident is one of the leading cleric critics of the Iranian system of Guardianship of the Islamic Jurist, established by Khomeini. Kadivar studied theology and got his PhD in Islamic law and Islamic philosophy. For a long time Kadivar has been an advocate for more democracy and also religious reforms in Iran. At the end of the 90ies, for example, he fell into disgrace after having voiced public criticism and was sentenced to 18 months in prison.
MEHDI MOHSENI – in his publications the blogger and journalist has advocated for reforms in Iran. He also was election assistant to Mousavi prior to the presidential elections. In summer 2009 he came to Germany in the course of a scientific exchange and since then has been living in exile there, because it would be too dangerous for him to return.
MITRA KHALATBARI – the award-winning journalist has experienced the consequences of the controversial presidential elections firsthand. To escape the pressure and the persecution of the regime, in autumn 2009 she fled from Iran to Cologne and has been living in exile since then.
ABOUT ALI SAMADI AHADI (director & author)
Director and author Ali Samadi Ahadi was born in 1972 in the north Iranian city of Tabriz. In 1985, when he was 12 years old, he came to Germany without his family and later took his Abitur in Hannover. In Kassel he studied visual communication with the focus on film and television. At the end of the 90’s he started his career as a filmmaker. He participated in several documentaries and reports as director, film editor or cinematographer. For his documentary CULTURE CLAN he was nominated for the Rose d’Or award, and in Cape Town he won the Channel O Award in the category of “Best Foreign Music Film”. Literally a flood of awards followed soon after for his documentary LOST CHILDREN in co-production with Oliver Stoltz, which won the German Film Award 2006 as well as numerous international awards (among others the UNICEF Award, Al Jazeera Award). Recently, Ahadi made his first feature film SALAMI ALEIKUM, in 2009 reaching a top position in the Arthouse charts with this culture clash comedy.
On the second anniversary of the disputed June 2009 election and the ensuing repression, the International Campaign for Human Rights in Iran today released video testimony from a young female detainee, describing in detail her severe torture and repeated rape after her arbitrary arrest.
Her forceful testimony challenges the Iranian authorities’ official narrative, which denies widespread use of torture and rape by security forces against ordinary protestors.
‘No Let-Up’ In Secret Executions In Iran
originally published at Radio Free Europe
A U.S.-based rights group says Iran has carried out more secret executions at a prison where the practice was criticized in a recent UN report.
The International Campaign for Human Rights in Iran said the executions were carried out at Vakilabad prison in Mashhad in recent months.
Group spokesman Hadi Ghaemi told RFE/RL’s Radio Farda on May 25 that “We have been able to confirm through local sources that executions have been performed secretly in Vakilabad prison since March 2011.”
He said some 70 people were executed over that period without having been informed in advance of their imminent death.
Ghaemi said the death sentences are carried out after the sentences are forwarded by chief prosecutor Mohseni Ejei to the Mashad regional prosecutor. He blamed Ejei for the failure to inform prisoners or their families before the sentences are carried out.
Ghaemi questioned claims that most of the 1,000 people executed over the past 18 months were sentenced for drug-related crimes, noting that no statistics have been released. But he said his organization has compiled statistics for the number of prisoners executed at Vakilabad, a huge detention center housing some 10,000 prisoners.
He said executions also continue at the Karoon, Birjand, and Ahva prisons. He said the number of executions at Vakilabad may be higher because Mashhad borders on Afghanistan and is therefore on a major drug-trafficking route.
Ghaemi said the Iranian authorities have admitted to the UN that unannounced executions take place but that they understate the actual number.
He expressed concern that executions for drug-related crimes have not resulted in a decline in drug use in Iran, and that some of those executed may in fact be innocent.
In a report to the UN Human Rights Council in Geneva in March, UN Secretary-General Ban Ki-moon voiced concern about the human rights situation in Iran, including the executions of drug traffickers. The report said some 60 people had been executed in Mashhad in July.